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Bark

Stories

ebook
2 of 2 copies available
2 of 2 copies available
NATIONAL BESTSELLER •  A collection of stories by one of America’s most beloved and admired short-story writers that explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal an exquisite, singular wisdom. •  “Uncanny.... Moving.... A powerful collection.” —The Washington Post

Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection ... stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone….
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    • Publisher's Weekly

      Starred review from December 16, 2013
      There are eight stories in Moore’s latest collection, and, like her previous work (Birds of America), these stories are laugh-out-loud funny, as well as full of pithy commentary on contemporary life and politics. In much of Moore’s earlier fiction, the protagonists are young girls or mothers of small children. Here, they are divorcées. They have teenagers. They’ve variously tried and failed at dating, holding down jobs, being kind, or being sane. Perhaps that accounts for the ever-present sting of sadness in the book: relationships don’t fare well (with one slightly desperate exception), and the sly wisdom of Moore’s meditations on time will get under your skin like a splinter. “Referential,” a wry updating of Nabokov’s “Signs and Symbols,” is a fascinating look at what happens when the mind of one writer collides with the mind of another. In the final story, “Thank You For Having Me,” the narrator stops her teenager daughter’s onslaught of scorn by undressing, mortifying her into silence. Moore’s final note is one of hope and even love—not the romantic kind, but the kind that sees the whole world, flaws and all, and embraces it anyway.

    • Kirkus

      January 1, 2014
      One of the best short story writers in America resumes her remarkable balancing act with a collection that is both hilarious and heartbreaking, sometimes in the same paragraph. With the announced retirement and Nobel coronation of Alice Munro, Moore (Birds of America, 1998, etc.) seems peerless in her command of tone and her virtuosity in writing stories that could never be mistaken for anyone else's. There's nothing particularly "difficult" about her fiction--except for the incisive reflections of the difficulties, complexities and absurdities of life--nothing academic or postmodern in her approach (except perhaps for the deus ex machina motorcycle gang that inadvertently crashes the unusual wedding in the astonishing closing story, "Thank You for Having Me"). And there is no title story, though the two longest (and two of the best) stories suggest the dual reference of the word "bark," to a tree or a dog. In the opening "Debarking," a man in the aftermath of a painful divorce becomes involved with an attractive woman who is plainly crazy--and perhaps the craziness is part of the attraction? "Oh, the beautiful smiles of the insane," he ruminates. "Soon, he was sure, there would be a study that showed that the mentally ill were actually more attractive than other people." He is a man with a protective bark, and one whose ex-wife accused him of "being hard on people--'You bark at them.' " In "Wings," a singer involved with a musician who may be crazy, or just deceitful or manipulative, befriends an older man, who responds to the adage "his bark is worse than his bite" with: "I don't know why people always say that. No bark is worse than a bite. A bite is always worse." Every one of these stories has a flesh-tearing bite to it, though all but one ("Referential") are also fiendishly funny. In stories both dark and wry, Moore wields a scalpel with surgical precision.

      COPYRIGHT(2014) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Library Journal

      Starred review from December 1, 2013

      In this slim volume of stories, obliquely titled Bark (referencing the protective covering of a tree, what a dog says, or a boat on which one "embarks"--all seem to apply), Moore once again brings her acute intelligence and wit to play. These sharply observed stories are filled with characters whose sense of irony keeps them at an uncomfortable emotional distance from one another and from the world they inhabit. In one story, a recently divorced father out on a date notices the walls in the restaurant, "like love, were trompe l'oeil...painted like viewful windows though only a fool wouldn't know they were walls." Also like love is the menu, "full of delicate, gruesome things--cheeks, tongues, thymus glands." Clearly, this nascent romance is likewise filled with menace, but the language around it has a fizzy rhythm that will have the reader turning the pages. VERDICT Smart, funny, and overlaid with surprising metaphor, these stories depict absurd situations that are at the same time strikingly familiar. There are no happy endings, but we cannot help laughing. Highly recommended. [See Prepub Alert, 9/16/13.]--Sue Russell, Bryn Mawr, PA

      Copyright 2013 Library Journal, LLC Used with permission.

    • Booklist

      Starred review from December 15, 2013
      Moore's first collection of short stories, the uncommonly perceptive and energetically articulate Birds of America (1998), established her prominent place in the renaissance of the American short story that made itself heard with great innovation in the 1980s and 1990s. Since then, she has alternated between story collections and novels, and now a new compilation of stories will add support to the widely held opinion that the short form is her true forte. Her talent is best exhibited in the collection's longest stories (each around 40 pages); her comfort with that length is indicated by her careful avoidance of overplotting, which, of course, dulls the effect of an expansive short story, and by not allowing the stories to seem like the outlines of novels that never got developed. These two examples of her proficiency shine: Debarking is about a divorced man who enters the dating scene only to experience complications with the is-she-crazy woman he starts dating and also within himself, as intimacy seems the natural antidote to global craziness; Wings concerns husband-and-wife musicians whose dreams haven't panned out. A major ingredient of Moore's tales of troubled lives is an abiding humor, which serves to protect her characters, in all their frailties, from grating on the reader as too pathetic. HIGH-DEMAND BACKSTORY: An extensive author tour will attract many Moore enthusiasts and generate both publicity and sales.(Reprinted with permission of Booklist, copyright 2013, American Library Association.)

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